![]() It was probably accompanied by drum and lyre, an instrument that Enheduanna most likely played.” ![]() Your princess, a storm wind astride a lionĪnd he goes on to further claim that she did write and play music: “This temple hymn refers to antiphonal singing, call and response. O house, joyful cries erupt deep in your interior Rising from the platform, a verdant mountain According to James Stewart from Vermont Public Radio, “Her duty was to unite the empire together around two religions, the worship of Inanna, the Sumerian goddess of love and fertility, with Sargon’s own personal deity, Ishtar, goddess of war and sexuality. She did this by composing hymns and poems in praise of Inanna and admonishing the people to sing and worship together.” She also held the title of EN, a role often given to royal daughters that carried great political significance (and, as far as we know, the first woman to own this title). Enheduanna seems to have composed the music and written the words.” So it’s a pretty good bet that she was an all-around artist with word and song. Kilmer, a professor of Near Eastern studies at UC Berkeley, “ Enheduanna’s religious poetry was certainly sung, and probably accompanied by a stringed instrument. As a disclaimer, since archaeologists haven’t found any written music with her hymns, we can’t be sure she is actually the first composing musician we know of – but according to a letter from Dr. Enheduanna ( Sumerian: □□□□□) wrote hymns in honor of the goddess Inanna and the moon god Nanna. Enheduanna wasn’t just the first female composer in music history – she is the first composer that we know of, period, as well as the earliest known poet and first named author in world history. ![]() I figured for the first post we should start at the very beginning: with Enheduanna, High Priestess of the ancient Sumerian city-state of Ur. ![]()
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